We are running tours of the school until Thursday 15th October 2026.  These take place at 8.55am, 11.15am and 2.10pm.  Please call the school office on 033 336 02120 to book onto a tour.

We have staff training on Friday 16th October followed by half term so no tours will be available after 15th October 2026.

Our Sixth Form Open Evening is on Wednesday 25th November, 6pm to 7.30pm.  To register your interest and subscribe to email updates, please complete this form RGS Sixth Form Interest – Fill in form

More information will follow after the half term break.

 

Film Studies

Curriculum Intent

Through a practical and theoretical approach, students are empowered to interpret, deconstruct, evaluate and create film.

Film Studies is offered as a:

  • GCSE option for a 2 year As Level Course Years 10 & 11
  • A Level Years 12 & 13

Key Stage 4 Film Studies

Curriculum Overview 

Film Studies at AS Level focuses on embedding a knowledge of Film History, subject terminology and giving learners the critical skills they need to study Film at KS5 and beyond.  There is also some focus on creative and practical skills.

Learners will study the films: E.T The Extra Terrestrial (1982) Moonrise Kingdom,(2012) Ida, (2013) Room (2015) and Vertigo (1958) and complete NEA coursework – a screenplay and a storyboard for a British film sequence; or a short film sequence.

 Term 1Term 2Term 3Term 4Term 5Term 6
Year 10Introduction to Film – case studyIntroduction to NEA – learning to make a filmMoonrise Kingdom – theme Family and HomeRoom – theme Family and HomeE.T. The Extra TerrestrialVertigo and learning how to compare

 

 

Year 11The Lives of Others and Ida film studyNEA evaluation and submissionRevisionRevision  

Year 10 Lessons

Students receive two lessons a week and thinking skills are embedded into all lessons. The purpose of year 10 film is to provide students with the literacy skills of film – terminology, analysis and some historical film knowledge. Key concepts such as industry, spectatorship and auteurship are covered as well as an intro to their coursework and exam texts

Year 11 Lessons

Students receive two lessons a week and thinking skills are embedded into all lessons. In year 11 we start the process of revision and building comparative writing skills. Analysis is made deeper through much more learning of social, historical and political contexts. Coursework is completed for hand-in this year.

Assessment

Elements of Film
This component is worth 105 marks and represents 70% of the marks for the AS Level. This is an externally assessed written paper. Learners will be required to complete an examination paper lasting two hours.
The examination paper will consist of three sections.
• Section A: Film Form in US Cinema from 1930 to 1990 (35 marks)
• Section B: Comparative Contextual Study (35 marks)
• Section C: Close study: European film (35 marks).

Understanding British Film
This non-examined assessment is worth 45 marks and represents 30% of the marks for the AS Level. This component is internally assessed by teachers and externally moderated by OCR assessors. Learners will be required to produce an individual key sequence from a new British film or a screenplay for a key sequence from a new British film (30 marks) and to carry out an evaluation of their production (15 marks)

Further Reading/Resources

OCR As Level Specification – https://www.ocr.org.uk/Images/316668-specification-accredited-as-level-gce-film-studies-h010.pdf

We are fortunate that film is one of the UK’s leading and highest earning industries.  Some links to get students started on further opportunities and skills for this course can be found here:

https://www.intofilm.org/

https://www.bfi.org.uk/education-research

Key Stage 5 Film Studies A Level

(OCR - A Level)

Curriculum Overview

Component 1  
Learners will develop knowledge of film form through the study of at least three US set films from: 

  • the Silent Era 
  • 1930–1960 
  • 1961–1990. 
  • Learners will also study set films from two major European film movements or stylistic developments: 
  • Experimental film (European surrealist film) 
  • German expressionism or • French new wave. 

 

Component 2 

Learners will further develop knowledge and understanding of key critical approaches to film and of narrative, genre, representations and spectatorship. 

Learners must study at least one set film from each of the categories below: 

  • Contemporary British 
  • Contemporary US 
  • Documentary 
  • Non-European non-English language 
  • English language (non-US) 
  • US Independent. 

 

Component 3 (NEA) 
Learners must study one compilation of short British fiction films. Learners have the opportunity to demonstrate knowledge, understanding and skills through: 

  • the production of a 5 minute short film or a 10 minute screenplay for a short film (incorporating a digitally photographed storyboard) 
  • an evaluative analysis of the production in relation to professionally produced set short films.
 Term 1Term 2Term 3Term 4Term 5Term 6
Year 12Intro to Film Film History and German Expressionism / French New Wave British Film and NEA Critical Approaches to film Contemporary US and European Cinema Documentary 
Year 13Coursework Final edit Experimental Film and European Cinema Coursework submission and Revision Revision Revision Exams

 

Assessment

2 Exams (70%) and NEA (coursework -70%) 

 

Complementary Subjects

English LiteratureArtSociologyPolitics

 

British Values in Film Studies

Democracy: In both Media and Film Studies– teaching of past political history – USSR/rise of Nazism and ideology of certain texts such as Ida compared to current ideas about democracy; using London riots as an example of how democracy was ‘turned off’ ; social media and net privacy/freedoms e.g. Cambridge Analytica etc

Rule of law: As above and discussions about identity politics in relation to recent protests/BLM and historical examples of protest from first wave feminism to Stonewall riots

Individual Liberty: Links to the narrative of Moonrise Kingdom and Room– debate over choice and freedoms. Erosion of privacy laws; Hong Kong protests over civil liberties…

Mutual respect: Taught throughout Film and Media – debates, discussions and interpretations of morality; as well as valuing everyone’s contributions in class etc.

Tolerance of those of different faiths and beliefs: Teaching of internet laws, e.g. Tim Berners-Lee proposed a Human Rights Act for the Web; discussions about the rights of individuals using platforms for hate speech/free speech – new app Parler for example or Tommy Robinson and Facebook ban.